Elori Saxl & Henry Solomon pres. Seeing is Forgetting + J. Ludvig III

silent green presents

Elori Saxl
Elori Saxl is an American experimental electronic composer. Her music has received critical acclaim for its elegant and innovative combination of digitally-processed field recordings with analog synthesizers and orchestral instruments.

Saxl has composed music for classical ensembles and institutions such as PBS, The National Film Board of Canada, The Guggenheim, Burton, Patagonia, Google, Poler, Dove, the New Yorker, This American Life, Public Radio International, SFMOMA, and more. 

She has performed live around the world both solo and as a quartet.


Henry Solomon
Henry Solomon is an American artist, saxophonist, composer, and producer. In addition to writing and producing his own solo projects, he appears on recordings by Paramore, Vampire Weekend, Louis Cole, and Miley Cyrus, and was featured on HAIM’s grammy nominated album Women In Music Pt. 3. 

He also played baritone saxophone as Lisa Simpson in the Disney+ short When Billie Met Lisa featuring Billie Eilish. Solomon's solo albums combine jazz, pop, punk, and electronic, and have received praise in GQ from artists like Thundercat. Henry is working on a number of new albums.

Together the artists will introduce their album Seeing is Forgetting, which combines analog synths (Elori Saxl) with baritone saxophone and bass clarinet (Henry Solomon). Drawing equal parts from American jazz abstraction, New York classical minimalism, and contemporary pop’s sense of harmony, form, and hooks, the album is an exploration in presence, physicality, intuition, and vulnerability.


J. Ludvig III
J. Ludvig III is the solo project of renowned Danish drummer, producer and songwriter Jonathan J. Ludvigsen. He tours with R&B artists including Erika de Casier and Liv.e, and was part of the contemporary jazz trio Athletic Progression.

As J. Ludvig III, Ludvigsen combines technical drumming with emotive songwriting. His latest album EMOTAN (2024) emerged from personal loss and reveals a darker, experimental side. Drawing inspiration from emo, hardcore, and alt-metal, he creates an atmospheric soundscape of distorted guitars, layered vocals, and intricate production where the drums intentionally recede into the background.

Tuesday, February 3
Kuppelhalle
Doors: 7 pm / Start: 8 pm
Tickets