Steve Von Till has made a life’s work out of seeking the elemental. With a solo discography that stretches back more than two decades, he has toiled in a shadow realm, peeling back layers of reality in a never- ending search for true meaning and raw emotion. A Deep Voiceless Wilderness strips back the veil even further. An achingly beautiful ambient work with neo-classical leanings, the album is a hallucinatory and elegant rumination on our disconnect from the natural world, each other, and ultimately ourselves.
For some listeners, the album may recall the work of modern composers like Jóhann Jóhannsson, Brian Eno or Gavin Bryars. For Von Till, it’s about surrendering to the spirit of place—and to the original intent behind his 2020 solo album, No Wilderness Deep Enough. That album marked a significant first for Von Till: It was his first solo record without a guitar in hand. Instead, Von Till intoned powerful and thought- provoking lyrics over piano, cello, mellotron and analog synthesizers. A Deep Voiceless Wilderness is that same album without Von Till’s words.
“This is how I originally heard this piece of music,” he says. “Without the voice as an anchor or earthbound narrative, these pieces have a broader wingspan. They become something else entirely and unfold in a more expansive way. The depth of the synths, juxtaposed with the strings and French horn, have space to develop and allow the listener to imagine their own story.”
Also a first for Von Till was Harvestman: 23 Untitled Poems and Collected Lyrics, his first book of poetry. Published by the University of South Dakota’s Astrophil Press, the book established Von Till as a formidable and thoughtful author of verse—a fact that Neurosis fans knew all along, but the wider world was only just becoming aware of.
“There is a depth of hope, acceptance and loss that permeates these poems,” Joseph Haeger said in his review for The Inlander. “Like any great piece of art, Harvestman contains multitudes, and that’s exactly what I was hoping for when I cracked it open. Von Till has already established himself as a great musician, and he’s about to put his stake into the ground proving himself to be a damn good writer.”
Innerwoud is a one-man-band by Belgian double bass player and composer Pieter-Jan Van Assche. After playing in several bands, from folk to neoclassical, he started to perform mostly solo, giving the double bass all the available space to speak and sing. The music is often referred to as ambient, drone and neoclassical. Drones are built live upon each other, layering different textures and sounds produced by the double bass. This results in a melancholic trip, wandering in wide open landscapes or craving in anonymous darkness, while the subtle melody shines a humble light on the whole.
Wednesday, August 23
Doors: 7 pm / Start: 8 pm